身為設計師,我們應該___|編排設計
As Designers, We are Supposed to _
![](https://freight.cargo.site/t/original/i/2f9fb7d2140ce7396ffacaf9e913f94514a664acc1e7a85fdf5a5408867dfd1e/DSCF1194-Edit2.jpg)
![](https://freight.cargo.site/t/original/i/f7c23d7e7572e52e9c369306d930eccccc1e665ab634a1d601c6ad7b8a5dfbfa/DSCF1198_revise.jpg)
The purpose of this project was to explore the possibilities of typography in a book, a brochure, and a small booklet. I chose three words to interpret. A designer should keep these words in mind to make their designs better and more effective. I combined two different languages of typeface and typeface together and made connections between space, angles and values of black.
此項目集結眾多設計師對於設計的一段想法、一句話或是一個字並加以編輯成Z型手冊,同時探索中英文混搭的編排設計。
![](https://freight.cargo.site/t/original/i/6acbb18fa6da9974e5891a03c77e3a13f21caf0d36ccba4a386e8785384a4793/DSCF1179.jpg)
身為設計師我們不斷地尋求設計的三個階段—刪、轉、歸。
刪Delete:把所有不需要的裝飾加以篩選,並留住重點。
歸Return:回歸到最初的意義、最直覺、最有熱情的狀態。
轉Shift:藉由以上兩階段的經過將細節進而轉化為最中的產物。
![](https://freight.cargo.site/t/original/i/4c1959efbefbaa1ee3a3b76dd5c28eb5c1938cc3ce3eca9bf0896f0b7514fffd/DSCF1201.jpg)
![](https://freight.cargo.site/t/original/i/c097096e25dd0fa10c078ae535e01ad2920547e2e73265fc6196b4438f5f3b56/DSCF4068.jpg)
![](https://freight.cargo.site/t/original/i/c048a2c758b51c05e185082129930644adda4e16179f494378fc37ea24b7d1a8/DSCF1173.jpg)
![](https://freight.cargo.site/t/original/i/9395d42403562e6cb0bc20693075aea94aa707843442dc22fb0a3084d4947542/DSCF4079.jpg)
![](https://freight.cargo.site/t/original/i/1d8413588a71c2a04c769dea555157f8b14802be735b84435e038784e8b63147/DSCF4137.jpg)
Size | 7x7 ”
Medium | Cardstock
Year | 2019